Seed, Image, Ground is a video essay that addresses techniques of air, wind, and growth. The work investigates the link between seeds, aerial operations, photographic images and the transformation of earth surfaces into data. From an initial question – how does wind become an image? – the work continues: how do you fabricate wind? How are surfaces of air and atmospheres addressed and implied in our technological culture? How do you fabricate growth, from agriculture to data culture? Responding to these questions, the work presents the operational techniques of seed bombing for agricultural growth and restoration, exploring the epistemological transformation of plants, aircrafts, and land. Through aerial footage, professionals are able to handle the growth situation automatically and specially through visual images and data analysis. It demonstrates how the history of botanic knowledge and visual surveys of green surfaces is a history of images, and as such, a history of circulation, speed and motorised aircraft. 

该散文影像讲述了这项工作研究了种子、空中作业、摄影图像和将地球表面转化为数据之间的联系。风如何化为图像？如何编制风？风与大气的表皮如何隐射我们的技术文化？作品围绕这些问题，主要呈现了空中的应用型技术“种子轰炸”（Seed Bombing）植育和环境修复的农业用途，探寻现代技术对农作方式以及人类对植物、空机、土地的认知的转变。通过直升拍摄片段，专业人士可以对地表的植物生长进行图像数据分析，进一步掌握农作信息状况，使播种更加自动化和精确化。它证明了植物知识史、以及视觉分析下的生态环境史，是一部图像的历史，也是关乎循环、速度、自动化飞机的历史。